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Selected Work · 2026

Design that
earns attention.

A curated library of product work — where minimalist craft meets performance-first engineering. Fewer pixels, more intent.

The Library

Selected projects

Swipe, use ← → , or tap a poster to open its case study.

About

Idea maker, visual creator and communication strategist.

Based in Barcelona, currently building my own apps through vibe coding — with my sights set on the videogame and sports industries.

Photography Brand Identity Filmmaking UI/UX Design Storytelling iOS Development
Motion Graphics Marketing Strategy Illustration Documentary Photography Creative Direction
SwiftUI Copywriting AI-Generated Art Content Strategy Screenwriting

01Brand Identity · Barcelona

U.E. Sants

A raw, street-culture identity for a neighborhood football club in Barcelona.

Overview

The Challenge

A club with deep community roots but no cohesive identity — and a brief to avoid the "mimicking giant clubs" trap and embrace its gritty, urban character.

The Approach

Step away from clinical design — drawing on local textures, peeling posters and street graffiti, built on halftone photography and athletic type (Zuume Edge).

Deliverables

A full brand identity, the Sansenc mascot family, and a self-serve toolkit of sticker sets and match-day & recruitment templates.

The starting point

The feed it had to live in

The club speaks to its neighbourhood almost entirely through its match-day feed — this was the everyday state the new identity had to serve, and lift into one coherent voice.

A grid of U.E. Sants' Instagram posts — match-day graphics, team photos and announcements in the club's green identity

How it came together

01

Rooted in the neighbourhood

I started in the streets of Sants — photographing peeling posters, brick, graffiti and worn textures. The identity had to grow from the place, not from a template.

Mood board of the Sants neighbourhood — peeling posters, brick walls, graffiti and worn street textures

02

The question

One frame summed up the whole brief: how do you get from a clean, clinical match-day graphic to something that actually feels like Sants?

A slide asking 'how to get from this to this?', contrasting a clean match-day poster with a gritty halftone sticker sheet

The visual system

Built by hand, cut from one palette

Brush marks, a vivid green-and-yellow palette and a high-contrast halftone treatment — with athletic type and hand-lettered chants like Som-hi Sants! and Força Santsenca. Swipe through the system.

U.E. Sants design board — 'Sants' graffiti lettering with halftone players
U.E. Sants design board — 'Força Sants / Tothom' in green and yellow
U.E. Sants design board — green halftone football objects
U.E. Sants design board — green halftone gloves and gear
U.E. Sants design board — 'Aqui juga Sants / Partits' match-day layout
U.E. Sants design board — 'Som-hi Sants! Gol!!! Força Santsenca' slogans

The mascot

Sansenc, in the kit

A dragon drawn from the legend of Saint George — developed into a full set of poses in the club's kit, for the youth, men's and women's teams.

Sansenc the dragon mascot in the U.E. Sants green-and-white kit, shown in eight poses — cheering, pointing, waving a pennant and holding a 'SANTS!' sign

Live in the neighbourhood

Out on the walls of Sants

The payoff — the Sansenc sticker in the wild, on the poles and shutters of the neighbourhood where it belongs.

A 'Som-hi Sants!' Sansenc dragon sticker on a Barcelona street pole
The Sansenc sticker on a weathered street surface
The Sansenc sticker layered among other street stickers
The Sansenc sticker on a lamppost in Sants

The final posters

The proposal, brought together

The match-day campaign — the whole identity resolved onto the poster. This was the final proposal for the brand. Swipe through the set.

U.E. Sants final poster — 'Dia de partit' in green
U.E. Sants final poster — bold 'Partit' typography
U.E. Sants final poster — 'Vine a...' with halftone objects
U.E. Sants concept poster — 'Hoy juega Sants'
View full case

02Product Design & Engineering

Rutina

A premium, iOS-style strength-training PWA — built from a spreadsheet into a full offline app.

Overview

The Challenge

Six months of real training lived in an Apple Numbers spreadsheet — no progression insight, no history at a glance, and nothing usable mid-set at the gym.

The Approach

A dependency-free, modular vanilla-JS PWA — dark, glassmorphic iOS feel with an orange accent. A pure analytics layer feeds a full-screen, offline workout player.

Deliverables

An installable offline PWA: set-by-set logging with rest timer & haptics, progress charts, a muscle heatmap, and a CSV importer for years of training history.

The actual product

Four live modules

I directed the architecture, UX and QA while pairing with an AI agent to multiply implementation speed — turning six months of logged training into a real, structured app. Everything below is the genuine interface, lifted straight from the codebase and running in your browser. The app UI is in Spanish, exactly as shipped.

  • 01Routine builder — compose your training week, day by day.
  • 02Bento dashboard — analytics sized by what matters.
  • 03Workout player — log a set in range for a PR celebration.
  • 04Progress charts — switch exercises to redraw the curves.
View live app GitHub

03Videogaming awareness · 2023

We're not that cool

Reclaiming the Slavic image in pop culture — turning a stereotype into a celebration. Press play — the film above sets up the whole idea.

Overview

The Challenge

In film and games, Slavic and Eastern-European culture is constantly generalised, antagonised — or simply absent. No positive cultural "shortcut" exists for people to relate to.

The Approach

A master's project pairing cultural-anthropology research with fieldwork — travelling through living folk traditions in Czechia and Slovakia, camera in hand, to document the real picture.

The Outcome

A documentary & fine-art photo series, two films, a concept zine, animated Slavic ornaments — and "Polyanna," a Slavic legend proposed for Apex Legends. Ongoing.

The story

01

Into living tradition

Instead of just being angry at the stereotype, I went out — into regions still shaped by celebration, colour and music — to photograph the culture as it actually lives.

A couple dancing in detailed embroidered Moravian folk costume, ribbons trailing from the man's waistcoat

02

The faces behind the costume

Through the young people who keep these festivities alive, I shot a series of fine-art portraits — proof of how proudly this heritage is still worn.

Two studio portraits — a young man and a young woman in richly embroidered Slavic folk dress with flower crowns and ribbons

03

Finding the words

Every idea for the name went through the sketchbook first — circles, crossed-out phrases, half-sentences chasing the same feeling — before one of them finally stuck.

A sketch sheet of Slavic floral and heart ornament motifs
Storyboard sketches for the Polyanna animated trailer, labelled scenes like 'Round dance in city' and 'Celebratory tree'
Concept character sheet for Polyanna in traditional dress with a curved sword, alongside pencil face studies

04

The name

"Maybe we're not represented because we're not that cool." After everything I'd seen, I crossed that one word out — because we are that cool. That single edit became the cover of a printed concept book. Flip through it below.

05

Folklore, set in motion

The same ornament work, animated — patterns blooming across silk and filling in tile by tile. Swipe through.

An animation of Slavic floral and heart ornament patterns blooming across rippling red and navy fabric
An animation of navy embroidery-pattern tiles filling in one by one across a grid

06

Forgotten culture, in print

A three-part poster series — forgotten culture, forgotten people, forgotten stories — in bold halftone print. Swipe through.

A halftone poster reading 'forgotten culture' over a folk skirt and ribbons
A halftone poster reading 'forgotten people' over a portrait in traditional dress
A halftone poster reading 'forgotten stories' over two hands exchanging an object at a table

07

Polyanna

The research points at one target: a Slavic character in a AAA game. "Polyanna" is my concept legend for Apex Legends — she carries the red ribbon and everything our culture stands for.

Concept art of Polyanna — a young woman in a white dress with a long red ribbon, walking through a golden field under a blue sky

The Polyanna concept trailer.

A classic studio opening, reimagined with a Slavic theme.

"Let's fill games with the ribbons of our culture, and welcome people into our world."

The manifesto — look for the ribbons

View full story Meet Polyanna

04iOS App · SwiftUI & SwiftData

SLOSTA

An analog film camera for iPhone — one roll, no preview, and a real development wait.

Overview

The Challenge

Digital cameras made photos infinite and disposable — instant preview, endless retries, zero patience. The ritual that made film feel precious is gone.

The Approach

Re-impose film's constraints in software: one 36-exposure roll, no preview, and a develop wait derived from the wall clock — so it survives force-quits, reboots, and the app never running.

The Build

A native SwiftUI + SwiftData app. Every state transition runs through a serialized @ModelActor lifecycle, with the developed state derived — never just flipped — as the single source of truth.

How it works

The eight rules SLOSTA teaches you on first launch — the same tip cards, so you learn the app the way its users do.

It's a camera, not a gallery.

SloSta works like real film. You shoot without seeing the result — and the reward is the reveal when your roll comes back developed.

CAMERA

One film at a time.

Just like a real camera, you load a single roll into your CAMERA. Finish it before you can load another.

No peeking.

You won't see a single frame until the whole roll is finished and developed. No previews, no deleting, no do-overs.

≈ 8h

Good things develop slowly.

When your roll is full, send it to the LAB. Developing takes real time — about 8h for a 35mm roll. Then your shots bloom in all at once.

CAMERALAB

Keep shooting while you wait.

While one roll develops in the LAB, you can load a fresh roll into the CAMERA and keep shooting. You just can't develop it until the LAB is free.

INSTANTBOOTH1× / 24h

INSTANT & Photobooth: your pocket extras.

INSTANT (10 shots, ~15 min) and Photobooth (4 shots, ~5 min) develop in minutes and work anytime — even with a roll already loaded. The only rule: each can be used once every 24h.

Wind, focus, shoot.

Every shot takes a beat — a flash, then focus — just like winding to the next frame. And double-tap the viewfinder to flip the camera.

That's it. Go shoot.

Load a film, take your time, and wait for the magic.

The ritual

01

Load one roll

Browse the film library — colour, black & white, special — and commit to a single stock, each with its own colour science, grain and mood. No new roll until the current one is developed.

The SLOSTA home screen — COLOR, B&W and SPECIAL film categories, a camera and lab slot, the instant shelf, and the album of developed rolls SLOSTA film-stock detail — 'Soft Portrait / AURA 400 · natural skin tones with a soft, warm glow', with look swatches and sample frames

02

Shoot blind

36 frames, no preview. You compose, press the shutter — with a real haptic clunk — and move on. You never chimp at the screen, so every frame has to count.

SLOSTA viewfinder — a live scene of pavement and a fallen leaf, with a frame counter, level, zoom options and a large shutter button, and no preview of past shots

03

Commit, then wait

Hold to develop — "there's no going back, and no rushing the wait." The roll goes to the lab and sits there for hours of real wall-clock time, surfaced as a qualitative status, not a countdown.

SLOSTA develop screen — 'frames exposed. Develop when you're ready. There's no going back, and no rushing the wait,' with a hold-to-develop button SLOSTA lab status — a roll card reading 'In the bath · In the lab', the qualitative development wait

04

The reveal

When the wait ends, the whole roll develops at once — all 36 frames at the stock's look, laid out as a 6×6 contact sheet. The closest thing to tearing open an envelope of prints.

SLOSTA contact sheet — the 'Shelf' view of a developed AURA 800 roll, all 36 real frames revealed together in a grid

05

The shelf

Every developed roll earns its place on the shelf — a quiet archive of everything you've shot, each one dated and named, waiting to be revisited.

SLOSTA album screen — a list of developed rolls (AURA 400, AURA 800, NOVA 400, INSTANT, BOOTH) each with its frame count and develop date

Shot on SloSta

The whole point — real frames

Photographs actually made through the app — each one carrying its film stock and the SloSta stamp, exactly as it develops. Swipe the roll.

A man in a pink shirt reading a restaurant menu against a stone wall, framed with SloSta's AURA 400 film stock
Fireworks bursting over a crowd at night, framed with SloSta's AURA 400 film stock
A leafy plant-covered corner of a city street, framed with SloSta's AURA 400 film stock
An overhead shadow cast on sunlit pavement, framed with SloSta's AURA 400 film stock
A waffle on a plate at a café table, framed with SloSta's AURA 800 film stock
A dense crowd watching fireworks light up the night sky, framed with SloSta's AURA 800 film stock
An overhead shot of a sunlit wooden floor and Persian rug, with a person's shadow cast across it, framed with SloSta's NOVA 400 film stock
A plate of fried shrimp and sides at a restaurant table, framed with SloSta's AURA 400 film stock
A stone statue in a tree-lined park, framed with SloSta's AURA 400 film stock
A colourful mural on a shop shutter reading 'El Passadís', framed with SloSta's AURA 400 film stock
A basketball court shaded by trees, framed with SloSta's AURA 400 film stock

Shot by testers

Their rolls, not staged

Real rolls shot by TestFlight testers, developed in-app, untouched.

A person lowering their sunglasses to look at the camera in a city plaza, black-and-white film
Two people at a bar table with a dog resting nearby, black-and-white film
Construction cranes against the sky above a city building, black-and-white film
A phone's shadow cast on a bright white table, black-and-white film
A cyclist riding down a country road through a golden field
A tree-lined city street with a cyclist riding down the middle, black-and-white film
A bridge railing stretching toward the horizon at dusk
A green field under a blue sky with scattered clouds
A person walking down a forest path lined with pine trees

"36 frames. No do-overs. Develop when you're ready."

SloSta — time to slow down

iOS · SwiftUI · in development

05Brand Identity · 2021–present

NAPO

A unifying identity for a patient-organization umbrella body — built from nothing but a name, and won in a branding tender.

Overview

The Challenge

A new NGO umbrella body had nothing but a name — NAPO, the National Association of Patient Organizations. The pitch had to invent the whole identity, and make one mark speak for hundreds of member groups at once.

The Approach

Build everything around unity and equality. A non-hierarchical, circular "round table" where every member has an equal seat — circles of different sizes for organizations of every scale, with NAPO at the centre.

The Outcome

A won tender and the "flower" mark still used today — a full identity system, the tagline The Power of Patients (now the project's web address), and an ongoing relationship through to a 2025 prevention campaign.

How it came together

01

Equal seats at the table

An umbrella body exists to support others, so the members had to be drawn non-hierarchically — circles of every size, no status, just a home for everyone from the largest groups to the smallest grassroots initiatives.

Concept sketch — the 'umbrella project': an umbrella sheltering member organisations
Concept sketch exploring the umbrella idea
Concept sketch — arranging the member organisations
Concept sketch — the non-hierarchical 'round table' of equal circles
Concept sketch developing the circular mark
Concept sketch refining the flower of circles
Concept sketch — the finished NAPO 'flower' with the Síla pacientů name in crimson

02

The flower

A larger circle at the heart represents NAPO itself — the axis the members rotate around. Add colour and the tagline, and the "flower" was born: a symbol of unity, stability and belonging, still in use today.

The finished NAPO flower mark — a central crimson circle ringed by smaller circles, with radiating dashes

03

The case for one voice

A short animation made the argument: while industries like manufacturing and finance have long been united under powerful guilds, healthcare organizations were left scattered and alone — navigating the system without a shared voice.

04

The character

In 2025, an awareness campaign for preventive GP check-ups — short social animations led by a new character, drawn straight from one of the logo's circles to embody expertise and education.

NAPO 2025 awareness campaign — an animated character derived from one of the logo's circles, promoting preventive check-ups

05

Out in the world

The identity rolled out across stationery, folders, roll-up banners and every day-to-day touchpoint — one coherent system, still in use today.

NAPO brand stationery — letterhead and business cards with the flower logo, on a crimson flat-lay
A NAPO roll-up banner reading 'Národní asociace pacientských organizací' and 'Síla pacientů.cz', in crimson

06

PF 2025

The 2025 New Year card sent to partners, built from the same circle system as the logo.

NAPO's 2025 New Year card — 'PF 2025' above a circular cluster of red ornaments echoing the logo mark, with wrapped gift boxes and a QR code below

"The Power of Patients."

NAPO — National Association of Patient Organizations

View full story

06Marketing Content

Bidfood

A premium visual overhaul for a foodservice brand — from the fleet to the feed.

Overview

The Challenge

Bidfood Spain — a large foodservice distributor — needed one premium, gastronomy-focused voice across every touchpoint, digital and physical, to engage professional chefs and restaurateurs.

The Approach

As Marketing Content Specialist I led the overhaul — a refined design system built on a dark-navy textile element, the company's core colour, launched first on the fleet and scaled into every channel.

Deliverables

Truck livery, catalogues & print, the KM 0 proximity campaign, event stands, motion graphics & promo video — and a redesigned, editorial Instagram feed.

Moving canvases

The fleet, first

The new system launched where the whole city could see it — the logistics fleet. Each trailer became a moving canvas in the brand's dark-navy textile.

A Bidfood campaign visual — 'Estamos presentes en cada servicio' — a truck set against an elegant restaurant scene

KM 0 · proximity

Grown close to home

A campaign spotlighting fresh produce sourced from Spanish soil — with localised versions for Catalonia and the Madrid area, close to where the food is grown.

A Bidfood 'ORIGEN' campaign visual highlighting local Spanish produce

The feed

One textile, one voice

I shifted the Instagram from standard product shots to curated, editorial content. A single dark-navy textile ties fresh produce, meat, bakery, fish and ready-made dishes into one premium, coherent feed. Swipe through.

Bidfood Instagram post — 1CITRICA
Bidfood Instagram post — ASIA
Bidfood Instagram post — Alcachofa
Bidfood Instagram post — CARNE
Bidfood Instagram post — CATALOGO
Bidfood Instagram post — CUTTINGS
Bidfood Instagram post — Calçots
Bidfood Instagram post — Focaccia
Bidfood Instagram post — ITALIA
Bidfood Instagram post — Legumbres
Bidfood Instagram post — MARISCO
Bidfood Instagram post — ORIGEN
Bidfood Instagram post — PAN
Bidfood Instagram post — PLATANO
Bidfood Instagram post — SLOWFISH
Bidfood Instagram post — SOLEGRAELS
Bidfood Instagram post — Texturas
Bidfood Instagram post — VERDURA
Bidfood Instagram post — brunch
Bidfood Instagram post — cítricos
Bidfood Instagram post — salmón

In the field

Where the produce comes from

Behind the campaign — the greenhouses, crates and production lines the brand actually draws from. Swipe through.

Ripe red tomatoes on the vine among green leaves
A Bidfood employee in a branded polo shirt walking through a greenhouse of leafy greens
A crate of freshly harvested beet greens and leafy vegetables
Rows of wooden ice-lolly sticks on a factory production line
A packaged tray of bean sprouts on a white background

Print & the floor

Beyond the screen

Catalogues, printed collateral and large-scale event stands at food fairs — every touchpoint, from a 30-second animation to a full exhibition, speaking the same visual language.

Bidfood printed advertising materials and catalogue spreads
A Bidfood-branded space — the identity applied in a physical, retail-style environment
See the advertising showreel

07Docu · Portrait · Film

Photography

The thread that runs through everything else.

The work

An eye for light, motion and the space between moments — across documentary, portraiture, film, weddings and the everyday.

Swipe through each set. European Photographer (EP).

Documentary

Real moments, unstaged.

Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky
Documentary photograph by Lukas Kopecky

Portrait

People, up close.

Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky
Portrait photograph by Lukas Kopecky

Film

Shot on film.

Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky
Film photograph by Lukas Kopecky

Wedding

The day, as it happened.

Wedding photograph by Lukas Kopecky
Wedding photograph by Lukas Kopecky
Wedding photograph by Lukas Kopecky
Wedding photograph by Lukas Kopecky

Diary

Personal frames, on the move.

Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky
Diary photograph by Lukas Kopecky

See the full collections

Photo showreel Diary That was 2025 Behind the scenes

08Brand Identity & Photography

Sev.en Energy

Energy, made visible — an industrial identity proven on real machinery, real light, and the people who run both.

Overview

The Challenge

Sev.en Energy needed a visual identity that could stand on real, heavy industry — coal, steam, steel — without reading as cold or purely corporate.

The Approach

Built the identity around a single "7" mark, then pushed it past the logo file — modelled onto real cooling towers, then proven human with a long-exposure light-painting series shot on-site with the plant's own crew.

Deliverables

The "7" mark & environmental applications, a full site photography series, a light-painting employee campaign, and a printed brochure collecting the work.

The story

01

Where it started

It started two years ago as a simple ask: shoot Instagram photography for a coal-industry energy company. I said yes — and it grew into a full-time role spanning strategy, recruitment, PR and just about every form of communication in between. A hard industry to work in, and a fascinating one.

Contact sheet of a long-exposure light-painting photo series — plant workers, hockey players and machinery lit with glowing coloured tubes at night

02

The plant, as it is

The audience is deeply industrial, so the photography had to capture the plant's real ambient environment — not a polished version of it.

Looking up at a power-plant chimney venting dark smoke into a cloudy sky
A bucket-wheel excavator lit up at night against a dark sky at the mine
Steam venting from industrial valves and pipework, framed by the plant buildings and a smoking chimney behind

03

The land, after

Revegetation is central to Sev.en Energy's mission — restoring land disturbed by mining back to its original state. The results are visible today: thriving ecosystems supporting thousands of species.

A grid of reclaimed-land photography — apple orchards, grazing cattle, a restored lake near the mine, and a bee on a wildflower

04

Bound into a book

A year spent documenting plants, mines, reclaimed land and sponsored sports deserved more than an Instagram feed — so I curated it into a printed annual brochure, paired with original text.

A grid of 'SEV.EN ENERGY' brochure mockups, shown closed, stacked and open to spreads of the light-painting photography

05

The information centre, reimagined

Younger audiences see these facilities as outdated, which hurts hiring — so our agency was asked to reimagine the information centres around an escape-room concept that teaches energy production hands-on. Due spring 2023; concept sketches below.

A grid of visitor-center exhibition concepts — a glowing '7' entrance corridor, a small cinema room, a custom neon-sign workshop, a green living wall, a brick-walled energy exhibit, and an exercise-bike room lined with pipework

06

A puzzle that lights up

For the information centre, we built a 3D-printed model of one facility — as a puzzle. Assemble all six parts correctly and the logo lights up, each piece standing in for a real stage of the facility's workflow.

A close-up of the white architectural model, showing the '7 SEV.EN ENERGY' nameplate block beside the miniature cooling towers and plant buildings

07

The recruitment campaign, on screen

In 2023 I led ideas, copy and art direction on a recruitment campaign — one corporate film plus four role-specific videos, aimed at pulling a younger generation into the industry. Below: the corporate video and two of the role-specific ones.

08

Explaining the Czech energy mix

A note for international readers: Czech energy leans on coal far more than most of Europe — a fact often missing from wider energy-transition conversations. I made a series of flat Instagram Stories animations explaining why renewables are especially vulnerable here, given the country's climate and terrain.

A three-panel illustration of energy sources — a wind turbine by day, a coal power plant with its cooling tower at night, and solar panels — each wired to the same building

09AI Illustration · Mockups

AILAB

A dark, mythic illustration style — pushed off the screen and onto buildings, apparel, and print.

Overview

The Challenge

AI-generated art is easy to dismiss as a screensaver. It needed to prove it could survive contact with the real world — scale, material, light.

The Approach

One consistent illustration style — dark, painterly, rose-and-monster mythology — mocked into every surface I could find: building-sized murals, apparel, packaging, print.

Deliverables

Two building-scale murals, apparel and hangtags, and six packaging formats — from a cassette tape to a postage stamp — all in one visual language.

The illustration practice

One dark, mythic voice

Skulls, roses, monsters, myth — the same practice across dozens of pieces, two of them blown up to the side of a building. Swipe through.

A building-sized mural of a totem-like creature covered in watching eyes, above a city street, shown in full
A fine-line illustrated mural of mountains, flowers and a pipeline, set into a brick wall covered in ivy
A monster mask peers from a jungle cave scene, colorful illustration
A volcanic fire eruption over a dark city skyline
A red demon-like creature hunched over dual computer monitors in a dark room
A city silhouette against a fiery sunset sky
An ominous red-toned skeleton figure among skulls, illustrated
A colorful monster skull mask surrounded by smaller creatures
A green zombie skull emerging from foliage
A crowd of colorful cartoon monster characters in an urban scene
A skull wreathed in colorful flowers, folk-art style
A sailing ship at night, framed by red roses and ocean waves
Red roses on ocean waves under a full moon
A black-and-white illustration of a skull wreathed in flowers
A fine-line black-and-white illustration of a mountain and suspension bridge
An angry-looking fish illustration in teal tones
A shoal of cartoon fish with sharp teeth, illustrated
A skeleton playing guitar outside a glowing house at night
A black-and-white illustration of a tiny figure reaching for a star
A lion's head portrait wreathed in roses
A skull wreathed in roses against ocean waves
A sailing ship caught in a stormy sea of roses, circular composition
A bouquet of red roses with green leaves
A red-and-blue illustrated couple, one playing guitar, Day of the Dead style
A wave of skull-faced monsters with red eyes, orange fish, and a small house on top
A dark, moody circle of red roses
A symmetrical floral pattern in cream and orange
A bearded bust portrait in an ornate medallion frame
A skull emerging from ocean waves, wreathed in roses
A glowing skull rising from a colorful, overgrown jungle scene
A lion crest surrounded by roses
A horned, bearded figure surrounded by roses
A bearded bust portrait framed by orange flowers
A symmetrical floral pattern in cream and navy
A vertical illustration of a volcanic eruption in vivid colors
Roses scattered across dark, swirling ocean waves
A glowing skull rising above a colorful illustrated cityscape
A cluster of three red roses
A tall, psychedelic collage of monster faces and eyes
A sailing ship on a stylized wave, in teal and cream
A bouquet of roses and peonies in pink and red
A red and teal floral bouquet illustration
White and red flowers against a coastal scene
Roses silhouetted against a dark, moonlit scene
A wreath of red roses in a circular composition
A small ship and roses illustration in teal
A bouquet of red lilies

Worn in the world

Off the wall, onto the body

A skull-and-roses print on a plain black tee, a moodier pirate scene pressed into a hangtag — the same mythology at garment scale.

A black t-shirt printed with an illustrated skull surrounded by red roses, on a hanger
A garment hangtag illustrated with a ship at sea beneath a full moon, surrounded by roses

Every surface

Pressed, wrapped, mailed

VHS, cassette, canvas, postage stamp, signage, wrapper — the same dark mythology, pressed into whatever format would hold it. Swipe through.

A VHS tape with a psychedelic zombie illustration on the cover
A pair of postage stamps illustrated with a bearded figure surrounded by roses
A hanging shop sign illustrated with a bearded figure surrounded by roses, mounted on a brick building
A shrink-wrapped canvas print of a roaring lion surrounded by roses
A foil wrapper illustrated with a figure reaching for a star, held between two fingers
A cassette tape and case illustrated with a red demon working at a computer

10Short Film

Ve jménu republiky!

An anti-utopian war drama, co-written and co-directed with Petr Lux — when Czechia and Slovakia go to war with each other, Eva (Anna Beránková) just wants her scrappy home business to survive it.

Overview

The Challenge

Tell an absurdist anti-utopia about two "brother nations" at war with each other — with a real crew, a real village, and a shoestring budget.

The Approach

Co-wrote and co-directed with Petr Lux — cast, blocked and shot on location over 8 days, with Filip Hájek behind the camera.

Deliverables

A finished short film with a full cast and crew, an official poster, and production support from Bidfood.

Trailer

Watch it first

The trailer sets up the whole idea — a war between brother nations, and the one woman too stubborn to let it get in the way of business.

The poster

Ve jménu republiky!

The official poster — cast, crew and credits, built around a single frame from the film.

The official film poster for 'Ve jménu republiky!' — a woman looking off-frame at dusk, with the title, tagline, and full cast and crew credits

On location

Cast, crew, sandbags

A small village, a real crew, and eight days of independent-shoot logistics — rigging the light, framing the shot.

Behind-the-scenes photo of the crew rigging a light and camera at night
The full film crew posed with camera and lighting equipment on a village street
Behind-the-scenes photo of the actress on a village street, the camera rig in the foreground

On screen

Two rooms, two moods

A warm cabin gathering against Eva's cold, sleepless kitchen — the film's colour doing part of the storytelling.

Film still — two characters in a warm, wood-panelled room with a crate of Kozel beer
Film still — a woman sitting at a kitchen table at night, lit in cold blue light